CHARLIE CHAPLIN'S "THE CIRCUS" (1928) NO FURTHER A MYSTERY

They in many cases are yearning romantics, using this type of variation: Buster seems a plausible mate, plus the Tramp rarely appears to possess a libido, only idealized notions. If their comedies had been made in a far more liberated time, it can be done to imagine Keaton in bed with a girl, but disquieting to think of the Tramp as being a sexual